Mosaic of frames from films and music videos color graded by Luis Taveras

Luis Taveras
Colorist

Film colorist. Color for film, music videos and commercials.

ARRI LogC3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade ARRI LogC3
ARRI LogC3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade ARRI LogC3
Sony S-Log3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade Sony S-Log3
ARRI LogC3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade ARRI LogC3
ARRI LogC3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade ARRI LogC3
Blackmagic Film Gen 5 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade Blackmagic Film Gen 5
Sony S-Log3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade Sony S-Log3
Sony S-Log3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade Sony S-Log3
Sony S-Log3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade Sony S-Log3
Sony S-Log3 footage before the grade
Final grade of the same shot by Luis Taveras
Final grade Sony S-Log3

This is how the footage arrives.

Flat, honest, full of information.

Light becomes intention.

Every skin keeps its own truth.

I light by zones.

I separate every color.

Contrast that guides the eye.

Color that carries the song.

Every shot, its own look.

A LUT can’t do this.

I light by zones.

I separate every color.

Every skin keeps its own truth.

Luis Taveras is a freelance film colorist and DI colorist, member of the Colorist Society International, with five feature films and more than 500 music videos. His credits include Madre: a dos centímetros de ti, winner of five awards at the 2025 New York Dominican Film Festival, and La Fábrica de Bodas, which premiered at the United Palace in New York.

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Free filmmaking guides.

Free filmmaking lessons in short videos, and here are their PDF guides: the ones you ask for in the comments.

Date

The latest

Contrast ratio

Contrast ratio

The contrast ratios most used in film and the emotion each one creates.

Nov 13, 2026 · PDF · 8 pages · keyword CONTRASTDownload guide

All the guides

Contrast ratio

Contrast ratio

The contrast ratios most used in film and the emotion each one creates.

Nov 13, 2026 · PDF · 8 pages · keyword CONTRASTDownload guide
Sensors and megapixels

Sensors and megapixels

Which cameras read the full sensor and which crop or skip lines in each mode.

Nov 12, 2026 · PDF · 7 pages · keyword SENSORDownload guide
Noise types

Noise types

Luminance and chrominance: which cameras give more color noise and which a cleaner noise.

Nov 11, 2026 · PDF · 7 pages · keyword NOISEDownload guide
Cinematic night

Cinematic night

How to build night scenes with light, without noise and with the darkness under control.

Nov 10, 2026 · PDF · 8 pages · keyword NIGHTDownload guide
Log or Rec.709?

Log or Rec.709?

Each camera’s log, its dynamic range and how to expose it for the colorist.

Nov 9, 2026 · PDF · 7 pages · keyword LOGDownload guide
Monitor for the FX3

Monitor for the FX3

Ninja RAW, Ninja TX and Video Assist 12G: what suits your FX3 and your colorist.

Nov 8, 2026 · PDF · 7 pages · keyword MONITORDownload guide
Why does it look cheap?

Why does it look cheap?

The shooting mistakes that cheapen an image the most, and how to avoid them.

Nov 7, 2026 · PDF · 8 pages · keyword CHEAPDownload guide
Sony FX5

Sony FX5

Delay, issues and whether to move from the FX3: what your colorist needs you to know.

Nov 6, 2026 · PDF · 7 pages · keyword FX5Download guide
Sony FX3

Sony FX3

The FX3 vs a cinema camera: what your colorist needs you to know.

Nov 5, 2026 · PDF · 7 pages · keyword FX3Download guide
The colorist

The colorist

Working with a colorist from pre-production.

Oct 31, 2026 · PDF · 7 pages · keyword COLORDownload guide
The film crew

The film crew

The roles on a film crew and what each one does.

Oct 31, 2026 · PDF · 6 pages · keyword CREWDownload guide
Dark and light skin

Dark and light skin

How to expose both skin tones properly in the same shot.

Oct 28, 2026 · PDF · 6 pages · keyword SKINDownload guide
Mixed lighting

Mixed lighting

Why the face comes out half orange and half blue, and how to control it on set.

Oct 28, 2026 · PDF · 6 pages · keyword LIGHTDownload guide
White balance

White balance

Why your videos come out blue or orange, and how to fix it on set.

Oct 28, 2026 · PDF · 7 pages · keyword WHITEDownload guide
Color palette

Color palette

How to design the palette of your film or music video in pre-production.

Oct 27, 2026 · PDF · 7 pages · keyword PALETTEDownload guide
False color

False color

How to nail perfect exposure on your camera or monitor.

Oct 27, 2026 · PDF · 4 pages · keyword FALSEDownload guide

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